By Tim Milnes
How have our conceptions of fact been formed through romantic literature? this question lies on the center of this exam of the concept that of fact either in romantic writing and in sleek feedback. The romantic proposal of fact has lengthy been depicted as aesthetic, inventive and excellent. Tim Milnes demanding situations this photo, demonstrating a practical pressure within the writing of Keats, Shelley and Coleridge particularly, that bears a detailed resemblance to the theories of contemporary pragmatist thinkers resembling Donald Davidson and Jürgen Habermas. Romantic pragmatism, Milnes argues, used to be in flip encouraged through contemporary advancements inside of linguistic empiricism. This booklet might be of curiosity to readers of romantic literature, but additionally to philosophers, literary theorists, and highbrow historians.
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